El resto de títulos
"Aswang", de Alyx Ayn Arumpac (Filipinas, 2019)
"Hamid", de Aijaz Khan (India, 2018)
"Diamond Island", de Davy Chou (Camboya, 2016)
"Wolf and Sheep", de Shahrbanoo Sadat (Afganistán, 2016)
"The Road to Mandalay", de Midi Z (Birmania, 2016)
"Women of the Weeping River", de Sheron R. Dayoc (Filipinas, 2016)
"Burning Birds", de Sanjeewa Pushpakumara (Sri Lanka, 2016)
"7 Letters", de Varios directores (Singapur, 2015)
"Vanishing Point", de Jakrawal Nilthamrong (Tailandia, 2015)
"By the Time It Gets Dark", de Anocha Suwichakornpong (Tailandia, 2016)
"The Island Funeral", de Pimpaka Towira (Tailandia, 2015)
"Noblemen", de Vandana Kataria (India, 2018)
"Girl's Encounter", de Yuka Eda (Japón, 2017)
"The First Lap", de Kim Dae-hwan (Cora del Sur, 2017)
"Autumn, Autumn", de Woo-jin Jang (Corea del Sur, 2016)
"A Tiger in Winter", de Lee Kwang-kuk (Corea del Sur, 2017)
"The Table", de Jong-kwan Kim (Corea del Sur, 2016)
"Baby Beside Me", de Son Tae-gyum (Corea del Sur, 2016)
"The Great Maiden's Blush", de Shane Loader y Andrea Bosshard (Nueva Zelanda, 2016)
Y PRÓXIMAMENTE:
"The Orphanage", de Shahrbanoo Sadat (Afganistán, 2019)
"Lingua Franca", de Isabel Sandoval (Filipinas, 2019)
"Season of the Devil", de Lav Diaz (Filipinas, 2018)
"A Lullaby to the Sorrowful Mistery", de Lav Diaz (Filipinas, 2016)
"The Woman Who Left", de Lav Diaz (Filipinas, 2016)
|